{"product_id":"japanse-natsume-tatsuta-gawa-takahashi-minefusa-urushi-makie-matcha-theebus","title":"Matcha natsume tatsuta-gawa 高橋峯房 Takahashi Minefusa","description":"\u003cdiv dir=\"auto\"\u003eThis exceptional natsume was crafted by renowned Japanese lacquer master \u003cstrong data-start=\"469\" data-end=\"499\"\u003eTakahashi Minefusa (高橋峯房)\u003c\/strong\u003e , known for his refined urushi techniques and dedication to the aesthetics of the Japanese tea ceremony. The piece reflects a harmony between craftsmanship, nature, and poetry. The model has an \u003cstrong data-end=\"748\" data-start=\"722\"\u003eupright, convex form\u003c\/strong\u003e ( \u003cem data-end=\"766\" data-start=\"750\"\u003etate-maru-gata\u003c\/em\u003e ) executed in the austere \u003cstrong data-end=\"813\" data-start=\"792\"\u003eRikyū style (利休形)\u003c\/strong\u003e named after the legendary tea master Sen no Rikyū, who emphasized simplicity and natural beauty.\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv dir=\"auto\"\u003eThe \u003cstrong\u003ekeyaki wood\u003c\/strong\u003e \u003cstrong data-end=\"973\" data-start=\"937\"\u003e(欅)\u003c\/strong\u003e grain remains visible and is enhanced by a warm, transparent urushi lacquer layer in the \u003cstrong data-end=\"1081\" data-start=\"1053\"\u003ekijidame (木地溜塗) style\u003c\/strong\u003e . This technique literally means “wood-base finish” ( \u003cem data-end=\"1146\" data-start=\"1140\"\u003ekiji\u003c\/em\u003e = wood, \u003cem data-end=\"1161\" data-start=\"1155\"\u003edame\u003c\/em\u003e = to seal) and allows the natural structure of the wood to subtly shine through. The result is a surface that looks both vibrant and understated.\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e\n\n \u003cp data-end=\"1615\" data-start=\"1365\"\u003eThe \u003cstrong data-end=\"1392\" data-start=\"1376\"\u003eTatsuta-gawa\u003c\/strong\u003e motif refers to the \u003cem data-end=\"1426\" data-start=\"1417\"\u003eTatsuta\u003c\/em\u003e River in Nara, a classic symbol of Japanese autumn. In literature and art, this river represents \u003cstrong data-end=\"1557\" data-start=\"1526\"\u003etransience (無常,\u003c\/strong\u003e \u003cstrong\u003emujō\u003c\/strong\u003e \u003cstrong data-end=\"1557\" data-start=\"1526\"\u003e)\u003c\/strong\u003e , falling leaves, and the passing of the seasons. The decoration is executed in maki-e: fine powdered gold and lacquer work depicting floating autumn leaves on a flowing river. This poetic image embodies the spirit of \u003cem data-end=\"1817\" data-start=\"1806\"\u003ewabi-sabi,\u003c\/em\u003e the beauty of simplicity, stillness, and time.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n \u003cdiv dir=\"auto\"\u003eThe original wooden box (tomobako) is complete and features the handwritten text “立丸形棗利休形” The terms 立丸形棗\u003cstrong\u003etate-maru-gata natsume\u003c\/strong\u003e and 利休形\u003cstrong\u003eRikyū-gata\u003c\/strong\u003e describe the shape and proportions of the natsume plus the signature “峯房（高橋）印” refers to a personal seal or signature ( \u003cem data-start=\"115\" data-end=\"122\"\u003einsho\u003c\/em\u003e印章) of Japanese lacquerware artist \u003cstrong\u003eTakahashi Minefusa\u003c\/strong\u003e (高橋峯房).\u003c\/div\u003e\n\n\u003cul\u003e\n\n\u003cli dir=\"auto\"\u003e Maker: Takahashi Minefusa (高橋峯房).\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Title: Tatsuta-gawa (竜田川 \/ 立田川)\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Type: chū-natsume\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Material: Kijidame-nuri Urushi maki-e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Period: 1950-1989\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Diameter: ≈ 6.5 cm\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Height: ≈ 6.8 cm\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Condition: Excellent.\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli dir=\"auto\"\u003e Accessories: Original tomobako with hanko and calligraphy.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv dir=\"auto\"\u003e \u003cstrong\u003eWhy this piece is special\u003c\/strong\u003e\n\u003c\/div\u003e\n\n \u003cdiv dir=\"auto\"\u003eBy Takahashi Minefusa, a specialist in lacquerware for the tea ceremony, the work is both functional and artistic. The use of keyaki wood and transparent lacquer makes this piece visually and tactilely rich: you can feel the wood grain and see the sheen of the lacquer, a combination of nature and technique. The tatsuta motif, rarely used in natsume, adds a literary-poetic layer to the object. The presence of the original tomobako reinforces the provenance and makes it suitable for collectors who value documentation.\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e \u003cstrong\u003eCondition \u0026amp; maintenance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\u003cdiv dir=\"auto\"\u003e The piece is in excellent condition: the lacquer is even and glossy, there are no visible cracks or chips, and the wood grain is clear. The tomobako is also well-preserved, with clear calligraphy and seal. To preserve it, avoid direct sunlight, strong temperature fluctuations, and keep it away from moisture and dust. Clean with a soft, dry cloth.\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/div\u003e","brand":"Thee van Anke","offers":[{"title":"Default Title","offer_id":52609991737690,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/2799\/7530\/files\/Tatsuta11.jpg?v=1772965964","url":"https:\/\/www.vananke.com\/products\/japanse-natsume-tatsuta-gawa-takahashi-minefusa-urushi-makie-matcha-theebus","provider":"vananke","version":"1.0","type":"link"}